Monday, 11 January 2016

Diseases That Plague Photographers

Photography is an art meant to invigorate our creative side and facilitate our ability to see our world in new and interesting ways. Many books, articles, tutorials, and blogs focus on various aspects of the artistic and technical merits of photography. Rarely discussed, however, are some of the strange maladies that afflict photographers. There are the occasional whispers and, “Did you hear about Joe?” types of exchanges, but all too often, such problems are rarely acknowledged and dealt with openly.

In an effort to bring such diseases to light, Dr. E.X. Posur, a leading psychiatrist that specializes in treating photographers, highlights a number of common illnesses he has encountered, and their associated symptoms and treatment. Although described individually, they are all part of a common illness labeled “photographus excessivitis”. Rarely will a photographer exhibit symptoms a single disease. Close examination almost always reveals multiple afflictions.
Diseases that plague photographers
It is important to point out that professional photographers rarely deal with these illnesses, but those that wear the label, “serious amateur” bear the brunt of these diseases. Because professionals have been inoculated by the need to earn a living, they seem to have built up a strong immunity to the diseases outlined in this article. Though they appreciate the merits of their equipment, professional photographers see their equipment as tools to achieve an end, not an end unto itself. This subtle, but critical, difference between the professional and the serious amateur prevents the former from acquiring many of illnesses outlined below. Professionals are not totally immune, however, and can succumb as quickly as any serious amateur if they are not careful.


1) GAS – Gear Acquisition Syndrome

Symptoms
Those suffering from GAS become infatuated with new photography equipment, often to the point of temporary neurosis. Cameras, lenses, flashes, bags, hot shoe levelers, camera straps, tripods, ball heads, white balance cards, rain covers, etc. – if camera equipment companies make it, you can be sure that a photographer with a bad case of GAS will find it. This results in an obsessive-compulsive effort to keep up with the latest product cycles, reviews, and opinions. If “new is better”, the notion that “more is better” must be equally true. While this obsession is often directed toward new gear, it can also be focused on older equipment as well. It is not unusual to find those with GAS roaming eBay, estate or yard sales, and photo forums for those vintage bargains of yesteryear. GAS victims often feed their addiction by subscribing to every photo magazine on the Barnes & Noble rack, and check major gear-oriented photography blogs multiple times per day to ensure that no gear-related press announcement – however minor – escapes their scrutiny.
Treatment
Group therapy seems to work best. A qualified psychoanalyst requires members of the group to bring a few pieces of photography equipment to the session, but it must represent the oldest gear they own. They are required to stand up and affirm the positive aspects of their gear, share some photos that were taken with it, and explain why it is still capable of helping them take great photos. This can be a real struggle for some. Other members of the group are encouraged to support the speaker’s affirmations share related stories. During this time, reading gear reviews in any form is strictly prohibited. The success rate is actually pretty good, but it is a long process, often littered with a series of setbacks such as internet binge buying and sneaking into photography forums in the middle of the night.

2) LBA – Lens Buying Addiction

Symptoms
LBA is a specialized form of GAS. The severity of LBA, however, can be much more intense. Whereas those afflicted by GAS can satisfy their habit with a myriad of small, relatively inexpensive items, those with LBA are usually in for some major outlays of cash. They can often be found pouring over an extensive array of MTF charts, test shots, reviews, and other technical data that would make most people’s heads’ spin. No amount of differences between lenses is too trivial to be overlooked. LBA sufferers often lead the pack on internet forums in discussions regarding such weighty topic as, “Corner sharpness of the Canikon 50-500mm f/3.5-5.6 DX lens at ISO 12,800 at 400X magnification”.

Treatment
Counseling is strongly recommended. Similar to the treatment for GAS, those with LBA are prohibited from their routine of visiting lens review sites and buying new lenses. They are given a specific project such as finding photography contest winners that used sub-$200 lenses, or assembling a portfolio of the notable photographs of the last century that were taken with relatively inexpensive film cameras and manual focus lenses. They are required to watch Chase Jarvis videos describing amazing photographs taken with the first generation iPhones. ASMP certified counselors will sometimes conduct sessions by traveling with the photographer and restricting his/her to three lenses, then two, and eventually… one! LBA sufferers gradually learn that they can indeed take some amazing photos without having the latest and most expensive gear, or a dozen lenses that have cover the same focal range.

3) PFA – Photo Forum Addiction

Symptoms
With internet access and popularity growing by the day, PFA is a relatively new malady. It is pretty much what it sounds like – people spending obscene amounts of time perusing photography forums and sharing their opinions with others around the globe, from everything from lens caps to digital sensor design. Of course, you are asking, “What’s the harm in some mild-mannered banter on www.mycameraisbetterthanyours.com? Fair enough. A post here, a lens review there, searching for some opinions regarding the latest camera bag, etc. is perfectly fine. There is certainly nothing wrong with seeking out the opinions of peers, who in some cases, are willing to provide valuable insights or time saving advice.

Treatment
Counselors suggest going cold turkey for people with PFA. Many have discovered that within a few short weeks of being away from the dynamics of the forums, they notice things – such as their families, pets, a room that needs to be painted, etc. Most importantly, they discover that they can actually still take pictures (of something other than lens test charts), instead of simply exchanging immature, snarky commentary with those other poor souls on the internet afflicted by the same disease.

4) TUB – The Upgrade Beast

Symptoms
This is probably the most common of the photography maladies. One day, Joe Photographer is admiring his Canikon 1FX8000, thinking it is the epitome of fine engineering, the standard for DSLR styling, and more than capable of capturing the world in all its wonder and splendor under the best and worst of conditions. He writes reviews extolling its virtues to everyone on the internet, and even sends a letter to the President of Canikon singing its praises. He is that elusive creature in this modern world – a totally satisfied customer.


Treatment
As long as the upgrade beast doesn’t inflict the photographer more often than once every two-to-three years, this disease is relatively harmless. The side effects of any treatment, much like the warnings on prescription drugs advertised on television, are likely to be much worse than the disease itself.
In rare cases, however, some photographers have experienced the upgrade beast on a much more frequent basis. Not only do they feel compelled to upgrade their DSLRs, but they wantonly switch brands in the process. This leads to the dreaded domino effect – having to sell every brand specific piece of gear they own, and replace it with that from a competing manufacturer. These tortured souls simply cannot be helped. Similar to the werewolf, only the grave can save them from their agony.

Summary

Photography can bring much joy to our lives and those whose lives we touch. But we must always be mindful of these debilitating illnesses, ensure that we do our part to bring awareness to them, and provide the help and assistance those within the photography community need and deserve. Be on the lookout for the telltale signs of photographers spending more time reading gear reviews, participating in photography forums, and acquiring gear than taking pictures. It can seem innocent enough, but it can also be… the beginning of much more serious issues.

Nikon vs Canon vs Sony

I have been getting a lot of questions from our surroundings about whether they should pick a particular camera from Nikon, Canon, Sony, Pentax or some other manufacturer. These inquiries are only increasing over time, so I decided to post an article on what I think about different camera systems and why you should go with a particular brand versus others. Many of the questions are something like “should I go for Nikon D5000 or Canon 5D” or similar, with readers asking me to tell them why I would recommend or pick a certain brand/type of a camera over another. When it comes to the question of Nikon vs Canon vs Sony, there are lots of heated debates over the Internet, so I wanted to share my personal thought on this subject matter as well.

As you know, I have been mainly writing about Canon – simply because pretty much all of my gear is from Canon and it is the system of choice for me. Why don’t I shoot Nikon or Sony? Is Canon superior than these brands? No, not really. Read on to understand why.
Sample 5

A camera is just a tool

What happens if you give the best set of painting tools to someone who does not know how to paint, and an ordinary, much inferior set of tools to a good painter? Who is going to have a better painting? The same rhetorical question is valid for photography – if you get a better camera, does it necessarily mean that you will take better pictures? No, I do not want to bring up another “camera does not matter” debate, since we are all getting tired of it.
Sensor size matters. No matter what some people say, sensor size does matter. There is a significant difference between a tiny sensor on a point and shoot camera and a DSLR full-frame sensor. Things like dynamic range, depth of field, viewing angles and noise all contribute to the overall quality and perception of an image and the difference is quite apparent. This difference is certainly smaller between full-frame and cropped sensor cameras, but still enough to impact the look of the photographs.
Lenses matter. The type of lens you use, its focal length, aperture and color rendition also play a huge part in how the final image comes out. You will never be able to isolate a subject with a point and shoot camera like you can with a 50mm f/1.4 lens. You cannot replicate the effect of a tilt/shift lens with an ordinary zoom lens.
The Photographer’s Eye. Finally, you have to remember that a camera is just a tool in a photographer’s bag. Without the photographer’s skill set, patience, vision, creativity, planning, timing, lighting and post-processing, even the best camera in the world will not be able to create a good picture.
Sample 1
Canon 6D + 16-35mm f/4 @ 19mm, ISO 200, 1/100, f/14.0

Different Camera Systems

Now let’s talk about different camera systems that are available today. Since the demand for DSLR cameras has been increasing significantly (just pay attention to how many people carry DSLRs in parks today), companies have been putting more money on R&D and more players have been entering the DSLR market. As of today, the current manufacturers of mainstream DSLR cameras are: Canon, Nikon, Sony, Pentax and Sigma. With so many different brands and types of cameras to choose from, it is getting harder to choose a particular brand over another.
Sample 2
So, which brand should you invest in? Yes, you heard it right – invest. If you are planning to be serious about your photography, you will be buying more gear over time. Whether it is new cameras, lenses, filters, flashes or memory cards, the type of the camera system you pick is important. If you make a wrong choice, it will be very costly to sell all of your gear and replace it with a different brand. On top of that, you will have to spend some time to learn the new system and get used to it. So, going back to the question on which brand should you invest in, as I have pointed out in my “How to buy a DSLR camera” article that I wrote a while ago, I would pick between Nikon, Canon, Sony and Pentax. Choose between these three brands and you won’t go wrong. Nikon and Canon certainly lead with the widest selection of cameras, lenses / accessories and have the largest market share.
Sample 4
Canon 6D + 24mm f/1.4 @ 24mm, ISO 200, 1/125, f/10.0
There are some other brands such as Olympus, Panasonic and Fuji that have also been doing well in the market. Olympus and Panasonic have been quite successful with their Four Thirds and Micro Four Thirds systems, thanks to a solid selection of lenses, great cameras and their compact system size. Fuji makes excellent X-series cameras with amazing image quality and also a good and growing selection of lenses. But all these are not DSLRs and are considered to be in the “mirrorless” camera category. Mirrorless is certainly the future, as highlighted in my Mirrorless vs DSLR cameras article, so if you want to embrace new technologies, definitely have a close look at the mirrorless market.
Another thing you can do, is see if anyone you know already has an advanced camera and ask for their suggestion and advise. If the person you are asking is a good photographer, it might be a good idea to buy the same brand camera, so that you could learn from that person and even possibly borrow gear in the future before you buy your own. This is very helpful especially if the photographer is a professional – you won’t have to surf the Internet for hours to understand something or make a decision.

The grass is always greener on the other side

No matter what camera system you pick or use today, you most likely pay a lot of attention to other brands. If you own a Canon camera, you look at Nikon cameras and compare. If you own other brands, you are probably looking at Nikon and Canon. The thing is, the grass is always greener on the other side when it comes to cameras and lenses. The topic of Canon vs Nikon, for example, always comes up between photographers. Nikonians look at some of the Canon cameras and want more megapixels, while Canonites look at some of the Nikon cameras and want less noise. Lens debates between these two brands are also endless… At the end of the day, the question you should be asking yourself is, how much better would your pictures get if you picked one brand over another (or switched from one brand to another). Most likely, the change would be very insignificant. You gain one thing and lose another. What if one brand comes up with a breakthrough product tomorrow. Are you going to switch or regret your purchase decision?

It is all about you

Again, think of your camera as your tool for the job. Without good technical skills and creativity, no matter what camera system you use, you will never be able to capture anything good. Read, learn, learn and learn, then experiment and shoot a lot – that’s the only way to become a better photographer. Don’t become a gearhead and buy more and more useless stuff you do not need. Once you become a better photographer, you will know exactly what you need to get the best results.
Sample 3


Good luck! If you have any questions or would like to leave some feedback.

 

What do DSLR cameras consist of?

Take a look at the following image of an SLR cross section



SLR Cross Section
  1. Lens
  2. Reflex mirror
  3. Shutter
  4. Image sensor
  5. Matte focusing screen
  6. Condenser lens
  7. Pentaprism
  8. Eyepiece/Viewfinder